Wednesday, 13 September 2017

The Televangelists | Fibbers | 8.9.17


   On Friday 8th The Televangelists had their first headline gig. It took place at Fibbers with one of the strongest line ups I’ve seen in a while, main support were Aloe Veras, as well as Serotones and Olivia Britton. The line-up provided the night with a variation of genres, and whilst sometimes that isn’t a great thing, I knew in this case it would be a positive. Allowing each band to stand out in their own unique way whilst still fitting in with each other.  


     Opening the evening was new comer Olivia Britton, having only played a few pub gigs previously, she bravely took the scariest slot at Fibbers and gave it her all. She played a collection of her own songs (that can be found on her Soundcloud – I’ll link below) such as Girl, Bleached Peach and Movie Star Michael, she also played covers of Britney Spears and Tame Impala. It’s no easy thing to open up at Fibbers, especially alone with nothing but your guitar, but Liv filled the room with her lovely voice and superb song writing. Ignoring the chatter at the back of the rom and focusing on those paying attention, she really captivated those people with her unique voice and cute stage presence. She absolutely smashed her set which is no surprise as Olivia Britton is full of raw talent.


       Second onto the stage were Serotones, who pulled off a bit of a miracle. Minutes before they were set to go on stage I was chatting with frontman Duke Witter backstage when he suddenly announced he was going to be sick. The band had to go on and start the instrumental intro whilst Duke threw up, he suddenly snapped up and swaggered onto the stage like a true rock star, I’ve never seen anything like it. Despite this, they have a loud and energetic performance that had the crowd in a frenzy from the second they went on stage. They played two of their recent releases, She Said and Never Back Down, the crowd was full of movement consistently throughout their set, but they even got the whole room to form a circle pit during one of their heavier, climatic songs. Every member of the band played brilliant giving a raucous, grungey set with a twist of indie energy.


     Main support were York’s finest psychedelia band, Aloe Veras, the band had an extra cause to put on a riot worthy show as they were celebrating Jake Bristow (guitar and vocals) 18th birthday. Back stage was filled with a lot of love, laughter and legal pints throughout the night. Behind them on stage they have their trippy moving artwork that adds to the experience of seeing a psychedelic band live. (Inspired I believe, by the lightshow at the Hawkwind gig guitarist Harvey and I went to back in March.) Having recently put their EP Down The Rabbit Hole online, almost every member of the audience was singing along to their songs, which is the usual case at one of their gigs anyway. Aloe Vera’s continued to keep the energy in the room at a high, everyone was dancing and singing and ready for the night’s headliners.


     After hanging out talking about Callum’s deep fascination for prime numbers, the boys readied themselves and took to the stage as headliners. I’ve seen The Televangelists perform a handful of times before, and whilst they’ve never seemed shy on stage they have never completely let themselves go, until this night. Whether they’d been saving this energy as some kind of musical hustle or playing as headliners gave them some new found stage presence I don’t know. But they went on the most confident I’ve ever seen them, constantly dancing and making use of the space on stage. Every member of the audience was dancing, nobody left that building without having a fucking amazing night. Watching all four acts preform stage side and being able to watch the audience react filled me with so much pride for the York music scene. We may be smaller than a lot of scenes but we’re full of amazing bands that are making big and brilliant noise that’s ready to be unleashed.


   The Televangelists played some of the demos off their Soundcloud such as The Underpass, What More Could I Ask? And 25. Their songs are full of tangy indie guitar riffs that paired with Callum’s deep vocals and the fast pace tension building beat provided by drummer Josh Ainley, create a haven of indie goodness. They also covered Another Number by The Cribs in which Charlie took over on bass and Callum was left with just the microphone, he delivered the song with a humble but strong frontman energy. Overall, The Televangelists blew up Fibbers, leaving every audience member in a buzz but also sweaty, breathless messes. The whole night was extremely fun and you should make sure you get down to any future gigs any of these acts are preforming at.





Review and photography by Holly Beson-Tams.

Saturday, 22 April 2017

Mice on Mars | Dusk | 20.4.17

 Mice On Mars played an intimate gig in the upstairs of Dusk bar in York on Thursday night. Despite this being a small room it’s one of my favourite spaces in York for gigs, they’re always intimate and the room fills up easily meaning that the energy in the room is easily becomes a lively one. Dusk gigs also have no faff, there are no fancy lights, no sound technicians no stage to walk on to. The bands put the lights how they want and that’s that, they set up sound themselves and they’re part of the crowd when they’re not playing. Everyone at a Dusk gig is there to enjoy the music and have fun.

Opening up for Mice On Mars was York/Leeds based band Peach, this indie rock-pop three piece is made up of Edna Sulejmanovic on vocals and guitar, Mathew Douglas (Dougie) on bass guitar, and Fraser Threlfall on drums. Peach are good friends of mine and I’ve watched them grow over the past year, every gig of theirs is better than the last and never disappoints. Being fronted by a female vocalist gives them an edge and allows them to stand out, especially in York where most bands are male dominated. Peach gave it their all and the energy in the room was at a high, they had most of the room moving. They played their debut single The Last Dinner which was reciprocated well by the crowd, it was clear that a lot of the audience members were there for them as well as Mice On Mars. Peach’s gigs always consist of a lot of hair flipping and this one was no different.



When Mice On Mars started I was completely blown away, I’d never seen them live before and I was clueless as to their sound, they opened with Rumble, and followed it with Naughty Dog. The band is a three piece made up of Zac Woolley on guitar and vocals, George Ullyott on bass guitar and Alfie Husband on drums. They brought some political punk to the table and the crowd loved it. This political punk was seen in songs such as D.C.C (Trumped). Everyone in the crowd was moving but a lot of people were really going for it, Dusk isn’t the kind of venue for people to mosh at but people can definitely have a good dance in their own space. This garage punk rock band had an unexpected twist in some of their songs, they had a guest member playing Saxophone which just fit so perfectly, it’s not an instrument you expect to here in this genre but it worked insanely well, gave them a unique twist and had the crowd really going. They played Kimmy Baby which they released on Soundcloud last month (I’ll link at the bottom). Some of the crowd was singing this back to them, the whole room was shouting, dancing and covered in sweat in classic punk show nature. Kimmy Baby features an insanely catchy bassline that the whole room was moving too, supported by the punky guitar riff, fast drums and Zac’s catchy vocals, it was hard not to dance and head bang. I think the best thing about this band is how true to the genre they are. I’ve seen a lot of up and coming ‘punk’ bands lately, which are more indie rock than punk, or you can hear that American pop-punk hiding in their sound. But Mice On Mars sound like a true dirty British punk band inspired by all the greats from the 70s, not only is it extremely refreshing but they don’t half ass it. It’s there in their music and their aesthetic. The band had a memorable aesthetic on stage, all in suits, braces, even a bowler hat. They looked and sounded the part and they absolutely killed it. They were easily one of the best bands I’ve seen recently and they definitely gained new fans at this gig.





There next gig is at The Fulford Arms on May 6th at the Fulford All Dayer, don’t miss out. Here is the link to the event page on Facebook:

Link to Kimmy Baby:
Mice On Mars | Kimmy Baby | Soundcloud

Review and photography by Holly Beson-Tams


Saturday, 15 April 2017

The Regime | 'She sees me' | EP Review

The Regime are a new indie rock band that started up in York. The four piece is made up of Will Brooke (lead vocals and guitar), Tim Erimhan (lead guitar), Luke Binstead (drums) and Zak Lonsdale (bass guitar). I've seen these guys play a few times across this year and each time they've gotten more confident and even better on stage. They put on a great show every time. I worked with them on a band photoshoot awhile back and have been a big fan of theirs ever since, so I'm super excited to finally have some recorded tracks to enjoy! 


She sees me immediately grabs you with its layering off guitars and Luke's fast drumming, the two guitars have completely different sounds that compliment each other perfectly for this indie punk track. Will has unique vocals which gives the band an early 90's alternative/punk/indie rock feel. His lyrics are clear and catchy and give the song a grungy sound, certain lines stick out making this song a memorable one, his deliverance of "on the radio" is super satisfying. The track has a fast pace that's perfect for some heavy dancing and head banging, She sees me holds subtle elements of 90's skate thrash bands (such as AFI and Bodyjar) this is through the fast rhythm of the guitars. To sum it up the song is a perfect blend of genres which creates a fast, fun indie grunge song.



The second track on the EP is Let it out. The song starts with a melodic guitar riff which is joined by  the drums until the song fully kicks in. The first verse is a chilled out indie rock song which builds up to the chorus. The chorus itself is short and sweet, like their live performances this song really portrays the early 90s indie grunge vibes they give on stage. The Regime have a similar sound to The Cribs and other bands of the decade. Overall the song is three minutes of bliss indie rock.

Check it out here:

https://theregimeuk.bandcamp.com/album/she-sees-me-let-it-out 

Review and photography by Holly Beson-Tams

CRY BABY | 'Take Me Away' | Single Review

CRY BABY are an indie rock four piece from York. Made up of Jack Armstrong (lead vocals/rhythm guitar), Brad Holleran (bass guitar/backing vocals), Olly Chilton (lead guitar) and Will Gibbon (drums). 



Crybaby recently released Take Me Away, the track opens with a catchy guitar riff which is then joined by the drums and bass which immediately sets up the energy of the song. The captivating opening entices us immediately. The deep bass line provides a powerful melody that you just want to close your eyes and dance along too. The vocals are the perfect fit to this rhythmic song, Jack' voice eco's the feel of an earlier era within the indie rock genre. The lyrics are catchy and easy to pick up and sing along too. The layering off the guitars provides energy and fun in this track. The song has great build ups throughout that don't disappointing as they reach their climax, this is one of those great indie trans that fits a variety of moods. I can picture it being played at parties, on road trips, or when chilling out. 

Catch the track here, I highly recommend. 


https://open.spotify.com/album/4EJQ375ufWPEeV5vLIyVrs

https://soundcloud.com/crybabyyork/sets/take-me-away-single

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