Saturday 22 April 2017

Mice on Mars | Dusk | 20.4.17

 Mice On Mars played an intimate gig in the upstairs of Dusk bar in York on Thursday night. Despite this being a small room it’s one of my favourite spaces in York for gigs, they’re always intimate and the room fills up easily meaning that the energy in the room is easily becomes a lively one. Dusk gigs also have no faff, there are no fancy lights, no sound technicians no stage to walk on to. The bands put the lights how they want and that’s that, they set up sound themselves and they’re part of the crowd when they’re not playing. Everyone at a Dusk gig is there to enjoy the music and have fun.

Opening up for Mice On Mars was York/Leeds based band Peach, this indie rock-pop three piece is made up of Edna Sulejmanovic on vocals and guitar, Mathew Douglas (Dougie) on bass guitar, and Fraser Threlfall on drums. Peach are good friends of mine and I’ve watched them grow over the past year, every gig of theirs is better than the last and never disappoints. Being fronted by a female vocalist gives them an edge and allows them to stand out, especially in York where most bands are male dominated. Peach gave it their all and the energy in the room was at a high, they had most of the room moving. They played their debut single The Last Dinner which was reciprocated well by the crowd, it was clear that a lot of the audience members were there for them as well as Mice On Mars. Peach’s gigs always consist of a lot of hair flipping and this one was no different.



When Mice On Mars started I was completely blown away, I’d never seen them live before and I was clueless as to their sound, they opened with Rumble, and followed it with Naughty Dog. The band is a three piece made up of Zac Woolley on guitar and vocals, George Ullyott on bass guitar and Alfie Husband on drums. They brought some political punk to the table and the crowd loved it. This political punk was seen in songs such as D.C.C (Trumped). Everyone in the crowd was moving but a lot of people were really going for it, Dusk isn’t the kind of venue for people to mosh at but people can definitely have a good dance in their own space. This garage punk rock band had an unexpected twist in some of their songs, they had a guest member playing Saxophone which just fit so perfectly, it’s not an instrument you expect to here in this genre but it worked insanely well, gave them a unique twist and had the crowd really going. They played Kimmy Baby which they released on Soundcloud last month (I’ll link at the bottom). Some of the crowd was singing this back to them, the whole room was shouting, dancing and covered in sweat in classic punk show nature. Kimmy Baby features an insanely catchy bassline that the whole room was moving too, supported by the punky guitar riff, fast drums and Zac’s catchy vocals, it was hard not to dance and head bang. I think the best thing about this band is how true to the genre they are. I’ve seen a lot of up and coming ‘punk’ bands lately, which are more indie rock than punk, or you can hear that American pop-punk hiding in their sound. But Mice On Mars sound like a true dirty British punk band inspired by all the greats from the 70s, not only is it extremely refreshing but they don’t half ass it. It’s there in their music and their aesthetic. The band had a memorable aesthetic on stage, all in suits, braces, even a bowler hat. They looked and sounded the part and they absolutely killed it. They were easily one of the best bands I’ve seen recently and they definitely gained new fans at this gig.





There next gig is at The Fulford Arms on May 6th at the Fulford All Dayer, don’t miss out. Here is the link to the event page on Facebook:

Link to Kimmy Baby:
Mice On Mars | Kimmy Baby | Soundcloud

Review and photography by Holly Beson-Tams


Saturday 15 April 2017

The Regime | 'She sees me' | EP Review

The Regime are a new indie rock band that started up in York. The four piece is made up of Will Brooke (lead vocals and guitar), Tim Erimhan (lead guitar), Luke Binstead (drums) and Zak Lonsdale (bass guitar). I've seen these guys play a few times across this year and each time they've gotten more confident and even better on stage. They put on a great show every time. I worked with them on a band photoshoot awhile back and have been a big fan of theirs ever since, so I'm super excited to finally have some recorded tracks to enjoy! 


She sees me immediately grabs you with its layering off guitars and Luke's fast drumming, the two guitars have completely different sounds that compliment each other perfectly for this indie punk track. Will has unique vocals which gives the band an early 90's alternative/punk/indie rock feel. His lyrics are clear and catchy and give the song a grungy sound, certain lines stick out making this song a memorable one, his deliverance of "on the radio" is super satisfying. The track has a fast pace that's perfect for some heavy dancing and head banging, She sees me holds subtle elements of 90's skate thrash bands (such as AFI and Bodyjar) this is through the fast rhythm of the guitars. To sum it up the song is a perfect blend of genres which creates a fast, fun indie grunge song.



The second track on the EP is Let it out. The song starts with a melodic guitar riff which is joined by  the drums until the song fully kicks in. The first verse is a chilled out indie rock song which builds up to the chorus. The chorus itself is short and sweet, like their live performances this song really portrays the early 90s indie grunge vibes they give on stage. The Regime have a similar sound to The Cribs and other bands of the decade. Overall the song is three minutes of bliss indie rock.

Check it out here:

https://theregimeuk.bandcamp.com/album/she-sees-me-let-it-out 

Review and photography by Holly Beson-Tams

CRY BABY | 'Take Me Away' | Single Review

CRY BABY are an indie rock four piece from York. Made up of Jack Armstrong (lead vocals/rhythm guitar), Brad Holleran (bass guitar/backing vocals), Olly Chilton (lead guitar) and Will Gibbon (drums). 



Crybaby recently released Take Me Away, the track opens with a catchy guitar riff which is then joined by the drums and bass which immediately sets up the energy of the song. The captivating opening entices us immediately. The deep bass line provides a powerful melody that you just want to close your eyes and dance along too. The vocals are the perfect fit to this rhythmic song, Jack' voice eco's the feel of an earlier era within the indie rock genre. The lyrics are catchy and easy to pick up and sing along too. The layering off the guitars provides energy and fun in this track. The song has great build ups throughout that don't disappointing as they reach their climax, this is one of those great indie trans that fits a variety of moods. I can picture it being played at parties, on road trips, or when chilling out. 

Catch the track here, I highly recommend. 


https://open.spotify.com/album/4EJQ375ufWPEeV5vLIyVrs

https://soundcloud.com/crybabyyork/sets/take-me-away-single

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